Skribls is the live experience app with brands built into the ecosystem as real-time participants — not relegated to the sidelines. Festival goers are provided with a four-digit code and locked in through a Geo-Fence set by the promoter, which only allows those at the event to post. Anyone can view the event or the Lux Wall.
Participants share their moments through a 10-second video or an image they can scribble on — influenced by the yellow Pee-Chee folder carried by grade and high school students in the 80s. Friends left messages. Owners filled the margins with daydream art. Humans have always needed to let others be there: cave paintings, Egyptian pictographs, photographs piled up inviting fans to rummage through them.
Artists connect in real time via photo or video — during, before, or after the event. Promoters send directions and emergency instructions. A live video feed adds to the experience. Sponsors participate through drops — event-only specials pushed in real time. Because attendees are already engaged with content from people around them, brands posting images and videos at or from the event are guaranteed better engagement and authentic alignment. With brands already built into the ecosystem, promoters already have the connection. Drops can be negotiated in advance. Smaller promotions — who typically have no access to national brands — now do. From local EDM to EDC, Coachella, national sporting events, business events, and the Olympics.
Artists post backstage content to their own channels. Sponsors hang a banner at the edge of the crowd. Promoters coordinate million-dollar events over WhatsApp. Attendees scatter their moments across TikTok, Instagram, and text threads that disappear by Monday morning.
Festival goers receive a four-digit access code and are locked in through a geo-fence set by the promoter, ensuring only people physically present at the event can post. Anyone in the world can watch. Every post is proof of attendance, not anonymous noise.
Brands post drops, videos, and event-only specials directly into the live feed alongside attendee content at the peak moment of crowd engagement. Not a banner. A participant. The brand is not an interruption — it is part of the story.
The Lux Wall selects randomly from all attendee posts during the event. No algorithm, no follower count, no purchase required. Anyone who posts has a chance. Nobody knows when it will happen. That unpredictability is the aspiration engine. The clout is real because the selection is real.
A live or recorded video feed from the stage, backstage, or anywhere the promoter designates streams directly into the wall alongside attendee content — giving remote audiences a front-row view and giving people at the event a second angle on what they are already experiencing.
Posts appear as scattered polaroids that users physically rummage through — tilting, overlapping, piling up the way real photos do. That tactile quality makes people stay longer, dig deeper, and keep scrolling in search of the moment that catches them.
Drawing directly on a photo before posting is rooted in something deeply human. Cave paintings. Pee-Chee folders. Polaroids passed around at parties. The instinct to mark the moment and say: I was here. Made digital and shared with thousands.
The platform owns before, during, and after the event. The feed gets richer after the gates close as people discover the moments they missed — the surprise guest, the backstage clip, the Lux Wall winners. Most event apps are useless by the time the crowd reaches the parking lot.
Artists connect with their audience on the same wall where fans are posting — backstage clips, surprise announcements, post-show drops — all branded and owned by the event. Their following amplifies the platform every time they post.
Each wall serves a distinct function in the ecosystem — from viral aspiration to operational infrastructure to local business loyalty.
Cannot be bought, gamed, or guaranteed. Free to strategic partners and randomly selects attendee posts for elevation alongside artist content and brand drops. Its value is entirely derived from being unattainable. The public display at events shows who made it in real time. That moment is the product.
The open participation layer. Every attendee who scans in and posts appears on it — no curation, no exclusion. Also the broadcast channel replacing the WhatsApp group most independent promoters use to run their events: emergency alerts, sponsor messaging, artist publishing tools, local business geo-promos.
Monthly subscription tier for local businesses — restaurants, salons, gyms, barbershops, boutique hotels, retail pop-ups. Customers post real moments. The business owns the content. No ads. No algorithm. And occasionally — randomly, unpredictably — a customer post gets elevated to the Lux Wall. Nobody paid for it. That is the aspiration engine that keeps subscribers loyal.
Category exclusivity is permanent. That is the real asset. The structural moat is not the technology — it is the signed category-exclusive agreements.
Deal structure — · Category exclusivity: Permanent across every event on the platform.
Per-event total: . At 100 EDM events per year: approximately in event revenue alone.
The platform is the same from a 200-person EDM night to EDC, Coachella, national sporting events, and the Olympics. Only the audience size changes.
A dev shop can clone the canvas. Nobody can clone the signed category-exclusive agreements.
Telluric is the technology and strategy infrastructure behind Skribls. We build platforms that turn passive audiences into live participants and turn brands from advertisers into real-time community members.
"We build systems that help brands become conduits
that reconnect humanity."
— Telluric AI · globalindiefilms.com